
FOREWORD
I am delighted to write the foreword to the maiden edition of the Journal of Art and Design. The birth of this journal marks a mile stone of historical importance in the academic development of the Department of Visual and Performing Arts in the University of Maiduguri. The journal marks a significant step towards making people understand the discipline more. The publication of the journal will provide an outlet for research reports, dissemination of knowledge and addition to the stock of recent reference materials for academic purposes.
The choice of the title of the journal was informed by the symbolic relationship between the visual and the performing arts. The boundaries between different forms of expression in the visual and the performing arts have become less defined over the years. Dance and drama are closely related, so are music and movement, the visual arts and music and so on. Based on this the Journal of Art and Design emerged so that readers can be able to see the common elements in visual and performing arts. They will discover that all of them are involved in creativity; observation; arrangement of forms, shapes, objects and ideas; examination of relationship between forms, objects and ideas; training of the senses (see, hear, touch); imagination; communication and practice of what is learnt. These concepts and ideas are parts of the philosophy and objectives of education in Nigeria.
The maiden edition of the journal therefore presents articles on the visual arts; the arts we see, feel and appreciate visually like painting, sculpture, ceramics, drawing, textile design and graphics. The journal also welcomes articles on the performing arts like music, dance, drama, television and film production. The issues addressed in the papers are generated from both studio and theoretical research works or intelligent literary discussions. As maiden issue, the diversity of the contributors may appear localized. This is normal and was not intentional. It could be because of the limited coverage of information about the journal. The papers in this edition however represent a true or correct reflection of the expected responses from contributors. It is hoped that as the journal becomes better known contributors will come from a wider academic coverage and geographical spread.
I sincerely appreciate the efforts of the Head of Department, Dr. C.Y. Mtaku, Dr. Talatu and the entire members of the editorial board for making the publication of this journal possible. I invite scholars to write on art and culture, studio art practices, art pedagogy, art history, drama, music, television, film production and any related issues. I expect high standard works from writers; works which will extend knowledge and value of art and design in Nigeria.
A. A. Mbahi
Professor of Art Education and Editor-in-Chief
Get individual articles of all authors below.
The PhD in the Studio: The Zaria Experience
Jacob Jari
A Contextual Analysis of Selected Artworks on Peace and Conflict Resolution
Jacob Enemona ONOJA, Gambo G. DUNIYA, A.R SALIU and Ladi O. A.AGADA
A Critique of Selected Sculptures of Some Zaria Art School Artists
ADEYEMO, Peter Adewole
Feminist Connotations in the Paintings of Abraham Uyovbisere
Kenechi Uzoamaka Anaso
A Review of Methods that Enhance the Teaching of Art in Borno State, Nigeria.
Esther A. Mazila
Adiwu Talatu Onkala: A Female Artist’s Contributions to Contemporary Nigerian Painting
Muhammad, Aliyu and BENJAMIN Queency Zigwai
Creativity and the Development of the Child
Hamsatu Saleh
Aya-Fifa: A Liturgical Music in Cherubim and Seraphim Church
Oje, Tosin Elijah
Irokanulo, Emmanuel Ikemefula
Art Entrepreneurship: A Vehicle of Self-Reliance and Sustainability in Nigeria
Gunok Yusuf Akila and Ndam James Peter
Cultural Values of Traditional Weaved Cloths of Ebira-Tao in Kogi State Nigeria
Nanahawa Salawu
Contemporary Problems to Contemporary Egyptian Art and the Way Forward
Alawode, Musa Ajibola and Adegboyega, Oyelakin Stephen
The Training of Masters of Art: The Issue of Master Piece
Samaila, Ezra Rabo and Caleb Samuel
Adewumi, Kehinde Christopher and Faida, Samuel
Fabricating Kiln Shelves and Props Using Materials from Nigeria
Okewu, Ebute Jonathanand Gukas, Habila Joel
An Aesthetic Analysis of Kefas Danjuma’s Selected Paintings
Ejiofor, Ifeanyi N. and Duyil Titus Haruna
Tiv Dance Forms: A Modulation of Form in Painting
Agaku Saghevwua Amos and Aminu Yimbe
Zirra Bonaventure, Gyang Sunday S. and Jonah Baba
A Visual Perspective of Rain on Windscreen in Painting
Alasan, Ndaceko Joel
Decision Making Process Model (DMPM) and Planning Capability for Art Pedagogy in Nigerian Schools:
An Overview
Rabiu, A. Badamasi and Abubakar, K. Ai’sha
Symbiotic Alliance of Graphic Ideation Component in Advertising Design in Nigeria
Akanni Daniel Olatundeand Dakyes S. U.
Exploring Painting as a Tool for Social Commentary for Dating Bomb Blast Effects in Nigeria
Okanlawon, A. Kola, Sani, M. Mu’azu, and Akanni D. Olatunde
Contextual Analysis of Motifs Used On Dajo Pottery Ceramic Forms
Kunde Terkura Matthew and Saliu Ahmed Rufai
Abba Isa Tijani, Zainab Musa Shallangwa and Naomi Albert Yusuf
Analysis of Postmodernist Painting Practice in Nigeria
Blaise Gundu Gbaden
Adiwu, Talatu Onkala and Christopher Y. Mtaku
The Innovative Potential of Waste as a Medium in Creating Art.
Boyi John Mallam and Umbugadu Talatu Titus
Ashiedu Peter Ogboli
Wood as a Medium for Artistic Expression in Painting.
Avav, Joshua Aondona
Deborah E. Jonathan