MAIDJAD Maiden Edition

FOREWORD

I am delighted to write the foreword to the maiden edition of the Journal of Art and Design. The birth of this journal marks a mile stone of historical importance in the academic development of the Department of Visual and Performing Arts in the University of Maiduguri. The journal marks a significant step towards making people understand the discipline more. The publication of the journal will provide an outlet for research reports, dissemination of knowledge and addition to the stock of recent reference materials for academic purposes.

The choice of the title of the journal was informed by the symbolic relationship between the visual and the performing arts. The boundaries between different forms of expression in the visual and the performing arts have become less defined over the years. Dance and drama are closely related, so are music and movement, the visual arts and music and so on. Based on this the Journal of Art and Design emerged so that readers can be able to see the common elements in visual and performing arts. They will discover that all of them are involved in creativity; observation; arrangement of forms, shapes, objects and ideas; examination of relationship between forms, objects and ideas; training of the senses (see, hear, touch); imagination; communication and practice of what is learnt. These concepts and ideas are parts of the philosophy and objectives of education in Nigeria.

The maiden edition of the journal therefore presents articles on the visual arts; the arts we see, feel and appreciate visually like painting, sculpture, ceramics, drawing, textile design and graphics. The journal also welcomes articles on the performing arts like music, dance, drama, television and film production.  The issues addressed in the papers are generated from both studio and theoretical research works or intelligent literary discussions. As maiden issue, the diversity of the contributors may appear localized. This is normal and was not intentional. It could be because of the limited coverage of information about the journal. The papers in this edition however represent a true or correct reflection of the expected responses from contributors. It is hoped that as the journal becomes better known contributors will come from a wider academic coverage and geographical spread.

I sincerely appreciate the efforts of the Head of Department, Dr. C.Y. Mtaku, Dr. Talatu and the entire members of the editorial board for making the publication of this journal possible. I invite scholars to write on art and culture, studio art practices, art pedagogy, art history, drama, music, television, film production and any related issues. I expect high standard works from writers; works which will extend knowledge and value of art and design in Nigeria.

A. A. Mbahi

Professor of Art Education and Editor-in-Chief

Get individual articles of all authors below.

The PhD in the Studio: The Zaria Experience

Jacob Jari

 

A Contextual Analysis of Selected Artworks on Peace and Conflict Resolution

Jacob Enemona ONOJA, Gambo G. DUNIYA, A.R SALIU and Ladi O. A.AGADA

 

A Critique of Selected Sculptures of Some Zaria Art School Artists

ADEYEMO, Peter Adewole

 

Feminist Connotations in the Paintings of Abraham Uyovbisere

Kenechi Uzoamaka Anaso

 

A Review of Methods that Enhance the Teaching of Art in Borno State, Nigeria.

Esther A. Mazila

 

Adiwu Talatu Onkala:  A Female Artist’s Contributions to Contemporary Nigerian Painting

Muhammad, Aliyu and BENJAMIN Queency Zigwai

 

Creativity and the Development of the Child

Hamsatu Saleh

 

Aya-Fifa: A Liturgical Music in Cherubim and Seraphim Church

Oje, Tosin Elijah

 

Shadow as an Element of Design in Painting: A Critical Phenomenological Assessment in Practice-Based Research

Irokanulo, Emmanuel Ikemefula

 

Art Entrepreneurship: A Vehicle of Self-Reliance and Sustainability in Nigeria

Gunok Yusuf Akila and Ndam James Peter

 

Cultural Values of Traditional Weaved Cloths of Ebira-Tao in Kogi State Nigeria

Nanahawa Salawu

 

Contemporary Problems to Contemporary Egyptian Art and the Way Forward

Alawode, Musa Ajibola and Adegboyega, Oyelakin Stephen

 

The Training of Masters of Art: The Issue of Master Piece

Samaila, Ezra Rabo and Caleb Samuel

              

The Semiotics of African Art

Adewumi, Kehinde Christopher and Faida, Samuel

 

Fabricating Kiln Shelves and Props Using Materials from Nigeria

Okewu, Ebute Jonathanand Gukas, Habila Joel

              

An Aesthetic Analysis of Kefas Danjuma’s Selected Paintings

Ejiofor, Ifeanyi N. and Duyil Titus Haruna

 

Tiv Dance Forms: A Modulation of Form in Painting

Agaku Saghevwua Amos and Aminu Yimbe

 

A Survey of the Effect, Visibility and Application of Road and Traffic Symbols among Road Motorists in Zaria

Zirra Bonaventure, Gyang Sunday S. and Jonah Baba

 

A Visual Perspective of Rain on Windscreen in Painting

Alasan, Ndaceko Joel

 

Decision Making Process Model (DMPM) and Planning Capability for Art Pedagogy in Nigerian Schools:

An Overview

Rabiu, A. Badamasi and Abubakar, K. Ai’sha

              

Symbiotic Alliance of Graphic Ideation Component in Advertising Design in Nigeria

Akanni Daniel Olatundeand Dakyes S. U.

 

Exploring Painting as a Tool for Social Commentary for Dating Bomb Blast Effects in Nigeria

Okanlawon, A. Kola, Sani, M. Mu’azu, and Akanni D. Olatunde

 

Contextual Analysis of Motifs Used On Dajo Pottery Ceramic Forms

Kunde Terkura Matthew and Saliu Ahmed Rufai

              

The Importance of Computerization and Digitization of Museum Collections to Enhance Design, Display and Research

Abba Isa Tijani, Zainab Musa Shallangwa and Naomi Albert Yusuf

              

Analysis of Postmodernist Painting Practice in Nigeria

Blaise Gundu Gbaden

 

History, Analysis, Appreciation and Aesthetics as Forms of Verbal Expressions and Presentations in Art

Adiwu, Talatu Onkala and Christopher Y. Mtaku

              

The Innovative Potential of Waste as a Medium in Creating Art.

Boyi John Mallam and Umbugadu Talatu Titus

 

Creative Experimentation: Examples of A Selection of Staff and Students’  Works In Textiles And Weaving In The Department of Creative Arts of The University of Maiduguri, 2003- 2013

Ashiedu Peter Ogboli

 

Wood as a Medium for Artistic Expression in Painting.

Avav, Joshua Aondona

 

Experimental Study on the Feasibility of Utilizing Top Bond Adhesive as a Fastener for Textile Printed Fabrics

Deborah E. Jonathan

 

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