MAIDJAD Volume 8

Foreword

Once again, Maiduguri Journal of Arts and Design is presenting a volume of researched and peer reviewed articles: Volume VII/October/November, 2023. Maidjad wishes to than Professor M. P. Mamza of Ahmadu Bello University, Zaria who is currently on sabbatical in the Department of Fine Arts here in Maiduguri.

Professor Mamza brings his knowledge, experience and expertise far beyond the pages of this journal. He has followed it up with a Lead Paper on the Application of Artificial Intelligence (AI) on Art Teaching in Higher Education, a topical issue in academic society and industry.  The editorial board is thankful for its contributors. This volume contains more than 20 articles in various areas of the arts, design and human endeavours. They are diverse and address traditional scholarly concerns, cutting edge knowledge in engaging fields, the insight of practicing artists, innovations and novelties, assessments and appraisals of career concerns, gender issues, methodologies, studio practice, as well as professional prospects and constraints.

Most of the papers are joint efforts. They seem to buttress the wisdom in cooperation. Studio practice and field surveys bring new knowledge and insight, and show a vibrant community of seasoned scholars as well as younger colleagues, who have submitted carefully written papers. Maidjad continues to welcome diversity, openness, new learnings, innovation across cultures, nations, races, continents and creeds.

We are optimistic that given the right environment, our achievements can be consolidated, sustained and expanded. Our new readers are warmly welcome as well as our old friends and scholars beyond boarders. This two-way process should elicit fraternal response and feedback in order to continue to push the boundaries of learning and knowledge sharing.

I wish to thank the editorial board for giving me the opportunity to write this forward, which is but a forward of welcome, since the articles are right ahead of us.

Ashiedu Peter Ogboli

Professor of Industrial Design

Department of Industrial Design,

Faculty of Environmental Studies,

University of Maiduguri

20th December, 2023

Get individual articles of all authors below.

The Application of Artificial Intelligent (AI) in Art Teaching at Higher Education

Prof. Musa Palma Mamza

                                                                                                                                                     

STRATEGIES FOR IMPROVING THE TEACHING OF FINE ARTS IN FEDERAL GOVERNMENT COLLEGES IN ADAMAWA STATE

Yahaya Muhammad Sani

 

ALTERNATIVE RESEARCH METHODOLOGY FOR PRACTICE-BASED RESEARCHERS IN PURSUANCE OF RESEARCH DEGREES IN ART AND DESIGN

Etsename Louis Emmanuel

 

A PLASTIC REPRESENTATION OF CHILD ABUSE IN MAIDUGURI AND ENVIRONS IN PAINTING

Ali Mohammed Habib

 

CONTEMPORARY ART AND SOCIO-CULTURAL ISSUES: IMPACT OF NIGERIAN                FEMINIST ART EXPRESSIONS ON GENDER SENSITIVITY

Otonye Bille Ayodele/Deborah E. Jonathan

 

ASSESSING THE IMPACTS OF PRACTICE-LED AND PRACTICE-BASED RESEARCHES FOR EFFECTIVE INTEGRATION AMONG CREATIVE DESIGN SCHOLARS

Iyama Gordy/Mohammed Sani Yahaya

 

ASSESSMENT OF GENDER EQUALITY AMONGST CREATIVE DESIGN ADVERTISING PRACTITIONERS IN LAGOS, NIGERIA.

Adesile Mercy Funmilayo/Etsename Louis Emmanuel

 

ACCEPTABILITY OF CRAFTED ARTICLES FOR INTERIOR DECORATION IN BADAGRY, LAGOS STATE-NIGERIA

Savage Olusegun Gabriel/ Olojo-Kosoko K. Kolawole /Azeez Olayinka Rasaq/ Gadonu Sewenu Peter/ Labode, Oladoyin Jamiu / Sowemimo Bukola O.

 

SOME ASPECTS OF THE PRACTICE OF KANURI TRADITIONAL CIRCUMCISION IN MAIDUGURI, BORNO STATE, NIGERIA.

Usman Ibrahim Babagana/ Christopher Y. Mtaku

 

POTENTIALS OF ART AND CRAFT IN EARLY CHILDHOOD EDUCATION

John Zaitu/ Abba Musa Ya’u/ Ibrahim Bala

 

BEAUTY IN CONTEXT: AN EXPOSITORY STUDY OF BODY AESTHETICS AMONG AFRICANS

Eyitayo Tolulope Ijisakin/ Idowu Folorunso Adeyanju

 

SEMIOTICS AND ABSTRACT REALISM IN THE PAINTINGS OF JIMMY NWANNE, HARRISON IDAHOSA AND IBE ANANABA: A SAUSSURIAN STRUCTURAL ANALYSIS

Harrison Idahosa

 

INCORPORATING SHORT CLAY INTO CLAY BODY COMPOSITIONS AS ALTERNATIVE TO GROG IN ORDER TO MITIGATE DEFECTS FOR CERAMIC BEGINNERS

Helga Mathias/ Abdullahi A. Umar

 

TO OWN, BENEFIT AND SUSTAIN: RETHINKING MUSEUM CONCEPT AND PRACTICE IN AFRICA

Zainab Musa Shallangwa

 

EXAMINING LIFE IN MY CITY ART FESTIVAL AS A SUPPORT SYSTEM FOR EMERGING PROFESSIONAL ARTISTS IN NIGERIA

Chike Obeagu/ Ayo Adewunmi

 

THE SYMBOLISM OF SHOEPRINTS IN PAINTING

Nadama Mustapha Garba/Abednego Abafras Gurin

 

SYNTHESIS OF NANO SODIUM-CALCIUM SILICATE (COMBEITE) BIOACTIVE CERAMICS IN GLASSY MATRIX

Gideon A. Samuel/Abubakar G. Salisu/Christopher H. Madugu

 

PLASTIC WASTE WEAVING AS A POSSIBLE SOLUTION TO ENVIRONMENTAL POLLUTION

Mohammed Isiaka Adeleke

 

ADAPTING DAMBE AS A CREATIVE RESOURCE IN PAINTING

Ali Mohammed Habib

 

EXPLORATION OF TIV CULTURAL MOTIFS AND SYMBOLS IN EXPRESSIVE CLAY FORMS

Tser Helen Ngunengen/Alkali, C. Vershima/Eric. V. Opoku/Lasisi, A. Lamidi

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